Binaural recording
Engineers make a technical distinction between "binaural" and
"stereophonic" recording. Of these, binaural recording is more
like stereoscopic photography. In binaural recording, a pair of
microphones is put inside a model of a human head which includes
external ears and ear canals. Each microphone is where the
eardrum would be.
The recording is then played back through headphones, so that
each channel is presented independently, without mixing or
crosstalk. Thus, each of the listener's eardrums is driven with
a replica of the auditory signal it would have experienced at
the recording location. The result is an accurate duplication of
the auditory spatiality that would have been heard by the
listener placed where the microphones were. Because of the
nuisance of wearing headphones, true binaural recordings have
remained laboratory and audiophile curiosities.
Binaural recording is a method of recording audio which uses a
special microphone arrangement. The term "binaural" has often
been confused as a synonym for the word "stereo", and this is
partially due to a large amount of misuse in the mid-1950s by
the recording industry, as a marketing buzzword. In truth,
binaural recordings are the best way to reproduce stereo with
headphones. Typical stereo recordings are mixed for loudspeaker
arrangements, and do not factor in natural crossfeed or sonic
shaping of the head and ear, since these things happen naturally
as a person listens, generating his own ITDs (interaural time
differences) and ILDs (interaural level differences).
Recording technique
With a simple recording method, two microphones are placed seven
inches (18cm) apart facing away from each other. This method
will not create a real binaural recording. The distance and
placement roughly approximates the position of an average
human's ear canals, but that is not all that is needed. More
elaborate techniques exist in pre-packaged forms. A typical
binaural recording unit has two high-fidelity microphones
mounted in a dummy head, inset in ear-shaped molds to fully
capture all of the audio frequency adjustments (known as
head-related transfer functions (HRTFs) in the psychoacoustic
research community) that happen naturally as sound wraps around
the human head and is "shaped" by the form of the outer and
inner ear. The Neumann KU-81, and KU-100 are the most commonly
used binaural packages. The KEMAR system is another alternative.
The more expensive Aachen Head Acoustics unit does automatic
equalization and processing to create a more enveloping
experience. Other alternatives are the B&K and the 01dB-Metravib
acoustic heads. The last one following exactly the IEC959
standard. A simplified version of this, called a Jecklin Disk,
uses a 30 cm (11.81") acoustically-absorptive disk between the
mics, as a compromise.
Binaural "in-ear" microphones can be linked to a portable
Digital Audio Tape (DAT) or MiniDisc recorder, bypassing the
need for a dummy head by using the recordist's own head.
Playback
Once recorded, the binaural effect can be reproduced using only
headphones. It does not work with mono playback; nor does it
work while using loudspeaker units, as the acoustics of this
arrangement distort the channel separation via natural crossfeed
(unless the arrangement is carefully designed, and using
expensive crossfeed cancellation equipment.)
The result is a listening experience that spatially transcends
normally recorded stereo, since it accurately reproduces the
effect of hearing a sound in person, given the 360° nature of
how human ears pick up nuance in the sound waves. Binaural
records can very convincingly reproduce location of sound
behind, ahead, above, or wherever else the sound actually came
from during recording.
Any set of headphones that provide good right and left channel
isolation are sufficient to hear the immersive effects of the
recording, and anyone who has even a cheap set of headphones can
enjoy the recordings. As with any playback, higher quality
headphones will do a better job of creating the illusion.
Several high-end head set manufacturers have created some units
specifically for the playback of binaural. Etymotic Research's
ER-4B canal phone actually sits inside the ear, much like a
hearing aid. The B model is tuned and equalized to enhance
binaural playback. In addition, a number of headphone amplifier
companies have created hardware that takes advantage of these
special recordings. However, these in-ear-canal phones tend to
suffer from poor externalization i.e. inside-head localization.
It is also found that even normal headphones suffer from poor
externalization especially if the headphone completely blocks
ear from outside. A better design for externalization found in
experiments is open-ear one where the drivers are sitting in
front of pinneae with ear canal connected to the air. The
hypothesis is that when the ear canal is completely blocked, the
radiation impedance seen from the ear drum to the outside has
been altered, which negatively affects externalization.
There are some complications with the playback of binaural
recordings through normal headphones. The sound that is picked
up by a microphone placed in or at the entrance of the ear
channel has a frequency spectrum that is very different from the
one that would be picked up by a free-standing microphone. The
diffuse-field head-transfer function, that is, the frequency
response at the ear drum averaged for sounds coming from all
possible directions, is quite grotesque, with peaks and dips of
10 dB. Especially frequencies around 5 kHz are strongly
emphasized. Hence, a binaural recording that is listened to
through a headphones without any compensation will have a strong
and undesired coloration due to interaction between headphone
and pinneae. In order to correct this, the binaural recording
should properly be equalized. The best playback headphone for
binaural recording is one that is transparent down to ear drum
i.e one that can directly inject sound to the ear drum as if the
sound is being played right in front of an ear drum.
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